It’s been a 12 months since Kendrick Lamar dropped the diss heard ’around the world and reminded people that everybody is ”Not Like Us.”
Whereas the cultural aftershocks are nonetheless shaking the {industry}, what began as a lyrical boxing match with Drake shortly grew to become one thing a lot greater: a declaration of warfare in opposition to performative Blackness, the commodification of tradition, and the company machine that income off diluted artistry.
Kendrick Lamar didn’t simply win a rap beef, he reclaimed the narrative.
“Not Like Us” wasn’t only a diss monitor; it served as a double entendre, a mirror held as much as an {industry} bloated by branding, bots, and a slew of stereotypical tropes masquerading as Blackness.
Kendrick Lamar reminded us that tradition is just not costume. His bars weren’t simply aimed toward Drake; they had been directed at a complete infrastructure that had allowed gimmicks to eclipse grit and optics to overshadow originality. When Okay.Dot mentioned, “The settlers was usin’ townfolk to mak ‘em richer,” he was peeling again the shiny veneer and calling out an industry-wide parasite downside of adopting cultures that aren’t their very own to construct a man-made rep for clout.
After which got here GNX—the complete physique of labor that adopted and cemented the second. This wasn’t simply Kendrick rapping; it was Kendrick Lamar preaching, therapeutic, and instructing. The album wasn’t tailor-made for TikTok virality or Billboard antics. It was uncooked, layered, unapologetically Black, and crafted with care—one thing more and more uncommon in a style hijacked by algorithms and streaming farms.
Talking of streaming farms, let’s talk about the litigation between Drake and Common Music Group over the multi-platinum hit single. The lawsuit filed in a determined try to suppress a tune that had already set the tradition ablaze uncovered an {industry} secret many already suspected: the sport has been rigged.
Faux streams, inflated numbers, and artificially curated playlists have made it simpler for labels to fabricate superstars with out advantage. However Kendrick Lamar’s influence—natural, simple, and culturally resonant (as Okay.Dot mentioned, ‘you may’t faux affect’) rendered the manipulation out of date. For this reason Drake’s lawsuit isn’t only for him, however for each impartial artist pushing actual bars and messages.
What Kendrick Lamar completed with this report and the following strikes is nothing in need of revolutionary.
He pressured the tradition to pause and replicate. He reminded us that lyrics matter. That lineage issues. Being Black in music isn’t a pattern, it’s the basis. The gorgeous irony is that he did all of this through the resurgence of Trumpism, the place every part about being Black, loud, and proud is as soon as once more seen as a menace to the established order.
That’s why the Tremendous Bowl efficiency mattered. Seeing Kendrick, flanked by dancers in Crip-walking choreography as Kendrick orchestrated the efficiency like a Black Beethoven, felt like greater than a halftime present—it felt like cultural restitution. It was an unapologetic flex at a time when our presence is once more being questioned, policed, and minimized.
A 12 months later, “Not Like Us” stays greater than a tune; it’s a second, a motion, a line within the sand between the tradition and the companies. We wished our tales again, and now we obtained them.
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Kendrick Lamar’s “Not Like Us” Reclaimed the Narrative for Black Tradition
was initially revealed on
newsone.com
